Although scholars
differ on the origin and evolution of lord Jagannath, all of them agree
that Lord Jagannath is basically a tribal deity.With the passage of time
this tribal deity has attracted the attention and interest of the
Nagas,Saivas,Nathas,Jains,Buddists,Vaisnavites,Ganapatyas and
Sunyavadis(Worshipers of the Void). This deity has acquired the status of
'Rastra Devata'(State Devata) because of their sectaral and purposive
intervention.In spite of their untiring efforts, the scholars have not got
any definite and decisive answer in this regard.This evolution has started
with the appearance of the primitive man and has undergone the process of
evolution till ultimately worshipped as Rastra Devata,Jagannath.
Apart from the above mentioned faiths, various
Dalapatis(group leaders), Gondrama dhipatis(rulers of Gondrama),kings and
Emperors have tried to claim this deity as their own in order to
exercise power and influence over this sacred land.By influencing the
simple tribals through fair and foul means,they have tried to give this
deity various shapes according to their own intent and judgement.They have not
always been guided exclusively by spiritual thoughts and religious
inspirations.Whenever the followers of a new faith have come to this
sacred land in order to propagate their religion,they consider this tribal deity as
the primary obstacle on their way. In such circumstances they have felt the
need to identify their own faith with this deity in order to win the heart
of the masses.It was not possible for them to propagate any religion
bypassing this deity. Therefore ,by identifying their faith with this
tribal deity,they have facilitated their attempt to propagate their own
religion.
As Rastra Devata Jagannath has assumed new forms and changed sites at
different times ; similarly, strangely enough, his sacred land has assumed
various dimensions at different times. Its presant territorial limit is not the same as it was in the
past.It has been disintegrated.Almost all historians agree that it stretched from the Bay of Bengal in the east to Amarkantak
mountain in the west and from the Ganga in the north to the Godavari in the
South.Apart from this land, the Bideha kingdom at the foot hills of the
Himalayas in the north , Burma(presently Myanmar) in the east and the Vindhya region in the west
constituted the habitat of the Savaras(a primitive tribe)Kalinga,Trikalinga,Odra and Utkal were included in this region and
it was called Savarsthan(the land of the Savaras).Though it wae called
Savarasthan, actually Savaras speaking Mundari dialect , Kandhas,Mundas
and Gondas lived in this region.The Mundari dialect is the primitive form
of modern Oriya and Purva Magadhi language.Though the tribals
speaking Mundari language were divided into different tribes like
Savar,Kandha,Munda and Gonda etc.,they primarily belonged to a larger community.The descendants
of these primitive people still inhabit the hilly regions and forest lands
of orissa.Some of them use Mundari dialect as means of communication.
Besides language,
close similarity is noticeable in their religious thought and worship and
in the form of their presiding deities.Among these tribals who spoke
Mundari dialects ,tree or khamba(pillar or post) worship was in vogue.In
trying to give a human shape to the tree or Kamba(post) they in fact
gave it strange shapes. Perhaps that might origin shape of Lord Jagannath.
We see a unique combination of shape and shapeless in this tree or Khamba
deity.This structure is their own original creation.
That lord jagannath is being worshiped in Shreekshetra Puri from time
immemorial is based on Puranic evidences given by schlors. However, there is
no historical evidence of worship of Jagannath at Puri prior to the 10th
century A.D . When Yayati Kesari was the ruler.But we come to know from the
Indirabhuti's Jnanasiddhi about the place of Jagannath , Pt. Neelakantha Das
has mentioned that the Savaras were worshipping the image of Jagannath
made of neem wood in a place called Sambal(Samal,now in Talcher of Angul
District) in Uddiyan,the kingdom of Indrabhuti.We can say that Jagannath
was worshipped in some part of Uddiyan prior to the rule of Yayati- I.
Indrabhuti has described Jagannath as Buddhist deity in
Jnanasiddhi.In the opinion of Indrabhuti Jagannath was worshipped by the
Savaras in one of the Budha Viharas.
The Puspagiri Vihar which has been mentioned in Hieun-tsang's travellogue
has not yet been discovered.Possibly it has been completly destroyed.
Although history is completely silent over this issue,it may be
said that it was destroyed due to anti-Buddist activities of king Sasanka
and his feudatory chief Madhav Raj-II in
the 7th century A.D . Prior to its destruction Jagannath was
shifted to a place in Sonpur in Uddiyan and kept hidden under the earth .
Jagannath was shifted before the arrival of Hieun-Tsang and
Puspagiri Vihar was destroyed after his departure.But by that time Jagannath was accepted and recognised as the most popular
deity. Therefore ,after 80years from the rule of Sasanka and Madhav
Raj-II,we see Indrabhuti as a worshipper of Jagannath in 717 A.D.There are
various opinions about the place where the image of Jagannath lying buried
. Madalapanji(the temple Chronicles) identifies this place with the
village Gopali of Sonpur.But according to local legends this place is
mountain cave of Kotsamalai near Sonpur.According to the same legend ,king
Indrabhuti of Uddiyan was worshipping Jagannath in the same cave.The
Madalapanji records legend of king Yayati recovering the wooden images of
Jagannath from the Sonpur region where it lay buried for over 144 years .
Since ,the image weres were damaged , new
images were made out of the trees brought from Sonpur.Even now in the
forest of Kakdein and Kotsamalai of Sonpur lives a Savar tribe which knows
the technique and art of making Jagannath images out of neem wood.A good
number of them in the past were settled at Puri as tribal priests through
the patronage of Yayati-I for worshipping Jagannath.
The odra kingdom inhabited mostly by primitive Savaras was famous even
from the time of Mahabharat .We find the mention of Odras in the Dharma
Sastra of Manu .The name of a Odra king is found in the Mahabharat . From the
ancient time ,the primitive Savaras were the worshipper of Khamba.They were
attracted towards Buddism duing the rule of emporer Ashok.For propagating
Buddhism among the tribal Savaras,Ashok had kept one of his minister at
the foot hills of Suvarnagiri in the district of Phulbani . In the ancient
time Sonpur ,Baud,Phulbani,Dasapalla,Ghumsur,Angul and other Odra regions
were under the rule of Bhanja kings.The Bhanja kings belonged to the
Naga dynasty. Though , orginally they were Saivites , later on they were
attracted towards Buddism.
Before they were Buddhism,they worshipped Naga(a species of snake) .
In order to bring unity between their religion and the religion of
their subjects , these kings combine their Khamba deity of tribal Savaras
with their own snake totem and conceived the image of Jagannath . Later on
they worshipped him as Buddha . According to historical records, Saivism ,
Naga worship and Buddhism were part of the religious faith of the Bhanja
kings at different times . The images which were conceived in these
three types of
worship were combined together in the conception of Jagannath images by
the Bhanja kings belonging to Naga dynasty.
A close observation of the body of Lord Jagannath reveals that His face
resembles that of a snake
and the body resembles khamba as worshiped by Savaras.The complete image
is virtually a symbol of unity of the two main races of Odradesa ,
namely
Nagas and Savaras .Jagannath bought emotional and religious unity among
the Nagas and Savaras and was worshiped as Buddha . At the primary stage of
civilisation those Buddists could conceive of such image of jagannath . In
order to bring unity among the Savaras , the Nathas (the Vratyas) and
Nagas , Buddhists and Indrabhuti , the exponent of Vajrayan conceived of the
image of Jagannath and brought out emotional and
religious unity.For this they will be ever remembered in history.The vision of this unifying deity and the name Jagannath projected the
odras or Oriyas as a nation and brought recognition and respect to
Jagannath as Rastra Devata . Since Bhanja kings of Naga dynasty were
Buddhist , they were able to propagate the idea of their God and make the
tribal Savaras accept the new image of Lord Jagannath.In order to bring
Savaras into the fold of Buddism,the Buddhist also accept the idea
of the new image and worshipped Jagannath as an incarnation of buddha.
From the above discussion we can say that before Jagannath was installed
at Puri by Yayati-I of
Soma(Lunar) dynasty . He was worshipped by the Savaras in the western region
of Orisssa .The original seat of Jagannath was located in the impenetrable
hilly regions on the banks of river Mahanadi . Mahanadi has long
association with the religion , culture and economy of orissa . Flowing
through the middle of western orissa to the coastal regions it has been
influencing and integrating the people of Orissa in a comprehensive bond .
Even today the influence of the civilisation and culture of western
Orissa upon the coastal belt is strongly felt.
The Buddhist sculptures visible on the bank of the Mahanadi startig from
Boud (now in Phulbani district) to Choudwar(near Cuttack) might have been
possible due to the patronage of Bhanja kings.
The Puspagiri Vihar mentioned by Hieun-Tsang was located in this
region . Since this Puspsgiri Vihar was palce of union for Hinayani and
Mahayani sects it seems probable that the new image of Jagannath was
worshiped here . When antiBudhaist activities began during the reign of king Sasanka of
Karnasuvarna(now in Midanapur District of W.B) , Jagannath was
shifted to a secret place at Kotsamalai of Sonpur and burried there
. Later on 9th and 10th century A.D Yayati Keshari-I of Lunar dyansty
retrieved the image and installed Him in a
thirty eight feet Patola(temple) and made an arrangements for His worship
. The above mentioned basic research findings have been given in
detail in various chapter of this thesis . A glimpse of the scope of the
work leading to a slew of original
conclusions obtained from the schema of chapter listed in the next page

.
Courtesy-Mr. Harihara
Kanungo
Ph.D, Professor, Department of Oriya Language and Litreture,
Bhadrak MahaVidyalaya, Bhadrak.